Malcolm Le Grice Movies

Loops. "A four screen film projection onto four vertically placed screens, which span the gallery space from floor to ceiling. The wall surface is...

A double projection of images of lapping water and the Battersea Power Station all transformed by negative positive superimposition creating a moving...

From the earliest point when I started to make film one of the biggest influence on my way of thinking came from Franz Kafka. In particular the...

Self Portrait looks for an approach to a specific relationship between the duration of a work and material conditions in the projection as did...

"This is a two screen film where a full frame colour field slowly changes from blue to towards green over a period of about six minutes. The film has...

A simple event becomes rhythmically complex through changes of speed and multiple superimposition. The title refers to the inevitable inclusion of...

Osama Bin Laden – Britain and the USA in Iraq as through television reportage – camera only inches from the screen

An encounter with a small man-made waterfall presented in a triptych format.

Rocky, granite outcrops, a derelict quarry-worker and Dartmoor prison.

This multi-image work is based on Le Grice's longer, color-field film-loop installation Joseph’s Coat (1973).

The first of these is the simple domestic task of washing dishes, and the second is the aesthetic task of filming the first task. I, the filmmaker,...

Dark Trees starts with a view from a window in silhouette through which one sees a garden, tall trees, rooftops and the sea. This scene orientates...

A brilliantly constructed, melancholic ode to the passing of time by Malcolm Le Grice.

Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the...

A single performance made at the National Film Theatre against a blank screen – the performer twice leaves the stage on one side, exits the...

Blind White Duration is a film concerned with constructing an experience from limited perceptions. The viewer is introduced to a limited range of...

A person walks backwards and forwards across two white screens casting a shadow, later his actual shadow is joined by pre-filmed shadows performing...

Double projection. No images, only colour, first changing slowly in spectrum order, yellow, or red, purple, blue, green, yellow.. and in other...

A one-off performance, never repeated but led to Horror Film 1.

A digital manipulation exploiting the transcoding ‘mosaic’ of video shot on a train journey from Berlin to southern Germany with Mark...